Monday, June 17, 2013
Sunday, May 26, 2013
DREAM MACHINE by Edwin Tres Reyes
“People think dreams aren't real just because
they aren't made of matter, of particles. Dreams are real. But they are made of
viewpoints, of images, of memories and puns and lost hopes.” – Neil Gaiman
One way to moderate
an artist is through his power as a storyteller. After all, all artists work
with their own experience, constructing a visualized dream. The audience,
therefore, is compelled to journey through the world the artist creates—in
effect a character in the artist’s story. It doesn’t really matter if there is
no logical outcome, or that the necessities of a plot structure are seemingly
abandoned. Dreams, after all, never follow the elements of a plot, yet somehow
people can still recall and narrate what happens. And this does not dilute the
emotional impact of the experience.
In this case, artist
Edwin Tres Reyes (b. 1972) is a dream factory, with a unique vision that is
combined with a capable technique to realize it visually. John Lennon once
said: “A dream you dream alone is only a dream; a dream you dream together is
reality.” Through Tres Reyes’ ability as an artist, these dreams – these pocket
narratives – find their form in canvas and resin sculptures.
Thus, Dream
Machine is more than a visual art exhibition. At its conceptual core,
it seeks to capture the zeitgeist of an age where stories were told in their
purest form—as the product of dreams. Utilizing a distinct technique, Tres
Reyes creates canvas works that also find their volumetric form in identical resin
sculptures. These are considered one works, symbolic of the process by which an
individual dream becomes a collective reality.
Opening on 6:30 in
the evening, Wednesday, May 29, 2013, the works in Tres Reyes’ Dream
Machine find an appropriate home in Vinyl on Vinyl Gallery, in
collaboration with 371 Art Space. Inside the artist community in Makati known
as The Collective, Vinyl on Vinyl and 371 Art Space are among some of the most
avant-garde independent shops and galleries. The Collective is located at 7274
Malugay Street, San Antonio Village, Makati City. They may be reached through
landline at 727-8182 or email at 371art@gmail.com.
Edwin Tres Reyes (b.
1972) is a product of the Fine Arts program at the University of Santo Tomas.
Tres Reyes has won several awards in his career, including the On-the Spot
Drawing Competition of the Central Bank of the Philippines (1986), the GSIS
High School Competition (1988-1989), the Art Association of the Philippines
Apec Stamp Design Competition Award (1996), and was a semi-finalist in the 1996
and 2001 Metrobank Young Painters’ Annual National Painting Competition. A
Founding Member of the Guevarra Group of Artists, Tres Reyes has had several
one-man shows to his credit and has participated in numerous group shows in the
Philippines and in Singapore.
The works on display
at
Dream Machine mirrors the artist’s experiences as an artist juggling
with the demands of the advertising industry. He infuses his practice with a
narrative edge that is lined with the aesthetic nous of surrealism which lend a
subliminal subtext to his works. His style recalls the a tradition of
illustration and printing, acknowledging the importance those mediums play in
crafting narrative. The artist works with the ideas of desire, and thus his
works show characters at the onset of journeys. Witty and light-hearted
political, his works and their openness to various interpretations make
conversation pieces among his audience.
The artist’s
approach to Dream Machine is to examine the manifestation of individual
dreams, represented by canvas works, into collective reality—in this case, the
volumetric representation of the canvas work as resin sculptures. These two
tangible dream products are taken as one artwork—and available to collectors
accordingly.
It is a unique
approach that makes Tres Reyes’ Dream Machine an interesting
show—one that definitely should not be missed.
Friday, April 19, 2013
EASTPAK Artist Studio
EASTPAK's Artist Studio event is happening on April 27, 5pm to 9pm at Vinyl on Vinyl, The Collective!
See the designs of featured artists Happy Andrada, Resty Tica, Apol Sta Maria, JP Cuison and Paolo Bernaldo.
Live performances by The ButcherCons, Moonstar 88 and DJ Gandhi Tuazon.
See the designs of featured artists Happy Andrada, Resty Tica, Apol Sta Maria, JP Cuison and Paolo Bernaldo.
Live performances by The ButcherCons, Moonstar 88 and DJ Gandhi Tuazon.
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| APOL STA MARIA |
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| HAPPY ANDRADA |
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| JP CUISON |
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| PAOLO BERNALDO |
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| RESTY TICA |
Nurturing Homegrown Artists
for a Cause
Eastpak and Bratpack
Remix presents this year’s EASTPAK Artist Studio.
As a
heritage brand, Eastpak is revered by individuals across varying interests and
pursuits. With its dynamic range of models and styles, the brand adheres to
different tastes. In particular, EASTPAK is close to the hearts of the
alternative communities – supporting the likes of creative and innovative
people in various industries.
It is
for this reason that the brand came up with the EASTPAK Artist Studio, a
project that involves converting blank EASTPAK backpacks (iconic Padded Pak’r
bag) into one-of-a-kind masterpieces by artists from around the globe. The
proceeds of the project go to a charity organization called Designers Against
AIDS. The past editions saw over 130
artists including graphic designers, product designers, DJs, and even chefs to
design over 200 unique Eastpak backpacks.
For the
third time around, the creative platform of Bratpack that recognizes and
supports local artists, known as Bratpack Remix, joined Eastpak to launch this
year’s EASTPAK Artist Studio through an event held last April 27 at Vinyl on
Vinyl at the Collective. In attendance to celebrate the collaborative project were
hip media folks, celebrities, and members of the art scene.
The
project aims to gather the best and most prolific artists in our land to represent
the country and join EASTPAK’s roster of exceptional artists for a meaningful
cause. This year, five local artists were tapped by EASTPAK and Bratpack Remix
- chosen to promote creative freedom and social awareness.
In
addition, the project also serves as a great platform to provide exposure to
some of the Philippines’ most outstanding artists – propelling them to
international acclaim. This year’s handpicked artists include a dynamic mix,
featuring mavericks from different realms of the arts.
Such is Paulo Bernaldo, who has earned recognition
as the bassist of Moonstar 88 and the Butcherons. Aside from his musical
inclination, Bernaldo is also an award-winning music video director for both
local and foreign artists such as Kamikazee, Parokya ni Edgar, David Archuleta,
and more. To further elevate his aptitude for the arts, he is also a graphic
and tattoo artist.
Representing
the local fashion and art scene is Happy Andrada, co-owner of F*Art Fashion and
a winner in a slew of design competitions here and abroad, including awards
from the Miami International Fashion Week, International Emerging Designer of
2012, Swatch Watch design contest, and the Inspiring Young Filipino Entrepreneur
Award by Go Negosyo 2010. Not new to representing the country abroad, Andrada brings
pride for the country in international fashion events and art conventions.
Meanwhile, Resty Tica’s edge lies in his impressive art
works. As a print graphic artist and award-winning painter, he is known for his
abstract expressionist imagery driven by pop art sensibilities. Tica has
participated in numerous group exhibitions, as well as award recognitions such
as the Grand Prize for PLDT-DPC Telephone Directory cover art completion, the
Artist of the Year Award of the TUP Fine Arts Gawad Pagkilala sa Sining, and
more. He is also a graphic artist for network giant, ABS-CBN.
If not busy producing ideas for advertising, John
Paul “Apol” Sta. Maria can be caught breathing life to characters in his comic
books and art works. Aside from being a notable visual creator for the
corporate industry, Sta. Maria is a well-loved in the art scene for his uncanny
pieces that invokes humor and curiosity in the mind of the observer.
An exceptional trendsetter in the practice of
graphic arts, JP Cuison is highly-recognized in the Philippine advertising
scene and is a two-time representative to the Cannes Young Lions International
Advertising Festival. With a knack for infusing the old with the new, Cuison’s
taste has led him to be commissioned by heavy-weight brands like Puma, Asia
Brewery, Manila Beer, Bench clothing, as well as concert posters by local and
foreign musical acts such as Rico Blanco, Razorback, Mr. Big, Addison Groove,
and Lymbic System.
EASTPAK and Bratpack Remix truly believe in the
significance of creative expression and what its power shape and redefine the
consciousness of the society. Through the EASTPAK Artist Studio, both brands
get to support and nurture local artists in the country as well as contribute
in a meaningful cause.
Dr Sketchy is back!
Dr. Sketchy's Anti-Art School Philippines presents: 'Ms. Sile'.
Calling all artsy earthlings! We've got a super special treat for you straight from outer space!
Head over to VINYL ON VINYL this 26th for some steamy sci-fi goodness featuring Muses Dear Prudence and Ms. Cola!"
Prepare for another dose of dames drinks and drawing!
APRIL 26, 2013
8:00 PM
PHP 300
20% discount for students with valid ID
Vinyl on Vinyl
The Collective, 7274 Malugay Street, Makati, 1203
CONTACT US!
dione@drsketchy.ph
alex@drsketchy.ph
http://www.facebook.com/ DrSketchyPhilippines
http://www.twitter.com/ DrSketchyPH
09177949564/0917 576 8558
Who says drawing can't be sexy? ♥
Calling all artsy earthlings! We've got a super special treat for you straight from outer space!
Head over to VINYL ON VINYL this 26th for some steamy sci-fi goodness featuring Muses Dear Prudence and Ms. Cola!"
Prepare for another dose of dames drinks and drawing!
APRIL 26, 2013
8:00 PM
PHP 300
20% discount for students with valid ID
Vinyl on Vinyl
The Collective, 7274 Malugay Street, Makati, 1203
CONTACT US!
dione@drsketchy.ph
alex@drsketchy.ph
http://www.facebook.com/
http://www.twitter.com/
09177949564/0917 576 8558
Who says drawing can't be sexy? ♥
RAI x MENEER Workshops at Vinyl on Vinyl
Meneer Marcelo and Rai Cruz' Summer workshop BASANG BASA on April 20, 21, 27 and 28. Join us and learn the secrets from the experts! Limited slots only! 10% Discount for students! For reservations go to this link:
http://meneermarcelo.pandaform.com/pub/bgm9mi/new
http://meneermarcelo.pandaform.com/pub/bgm9mi/new
ONGOING EXHIBIT: Hypnagogia, Brink of sleep
Hypnagogia: Brink Of Sleep
"The path bridging the
conscious and the unconscious is ethereal, and the sensations we get
from it, ephemeral." Artist Tokwa Peñaflorida interprets the journey to sleep with sprites
and spirits with long lush, hair, and spellbinding eyes that convey
sensuality and voyeurism. He also included different cultural concepts concerning dreams, such as the bangungot or batibat of Philippine folklore, the incubus and the succubus which are almost universal, and the use of dreamcatchers by the Native Americans.
Peñaflorida’s
style is highly influenced by the works of Alphonse Mucha, Gustav
Klimt, Egon Schiele, and Japanese pop art: the enhanced sensuality of
the female, dreamlike, provocative, and cheekiness. As a result, his
work is always, although subtly, highly emotional. He uses
different techniques such as wash, and mediums, mostly acrylic and
watercolour, both fitting to bring about the gossamer and incorporeal
elements of dreams.
For
Hypnagogia, the artist exhibits melancholic “sleep creatures” which
emanate a longing for the dreamer, as if hoping to be remembered after
the enchantments of sleep wear off, their eyes, enticing, hypnotizing,
offering themselves. The dreamer, in his consciousness, is either
relieved or distraught, but nevertheless struggling to recall the
sensations he felt—the dream itself.
One of the paintings in the exhibit, Recurrence, is
an illustration of Peñaflorida’s recurring dream wherein a naked woman
holds a huge needle against the backdrop of a crystal castle. In
recurring dreams, the dreamer is bound by confusion from the seemingly
meaningless abstractions. Many would claim that this kind of dream is a
prophecy or a reassessment of the dreamer’s state in life. Somehow it
seems romantic to think that these dreams could just be a showoff of the
enchantress, to show pointless things to the dreamer that is not normal. Nonetheless, it attests to the connection of the dreamer and his dream spirit.
Our
suppressed and unconscious desires are presented to us as we cross the
bridge from the conscious to the unconscious. According to Freud, our
dream symbolisms are sometimes shaped by our life instincts or Eros (survival,
pleasure, and reproduction). This instinct creates a libidinal energy
that is greatly projected in dreams, which is sometimes blatant, but
most of the times hidden. Death instincts or Thanatos is, unconsciously,
our desire to die. These instincts set the mood as to what, how, and
who we see in our dreams.
Contrary to the idea that
dreams are considered to be the opposite of reality, it is, in its
subliminal and truest form, a reality—a few intimate minutes with the
dreamer and his undisclosed fantasies.
In the languid slumber of reality
About the artist:
Tokwa Peñaflorida
The young man as a
portrait of an artist begins with the words indelibly inked on his two
legs: Lorem Ipsum. He professes them to be part of his advocacy of the
decorative absurdity. He is silent on the fact that they are the flawed
preamble to a dissertation on pleasure and pain.
Like the phrase,
the subconscious polarizes the readings of his artwork. There is a
weight behind his apparent portraits of beauty. Languorous gazes,
sinuous lines, and decorative effects points his stylistic influences:
Alphonse Mucha, Gustav Klimt, Audrey Kawasaki, Stella Im Hultberg. With
them he shares the fixation of the malleable allure of the feminine. But
his figures are often laced with confusion. He prefers to flaw them.
The surfaces are tactile with imperfections, in layers or washes or
phantom manifestations. His canvases are like lovely blossoms with the
perfect worm in the heart of florid putrescence.
His
recent works reflect the change from his earlier oeuvre, in which he
explores the expressionistic character of his washes within his
psychological vignettes, drawing from the subject of a darker eros--one
kin and wed to primordial chaos.
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